INGMAR BERGMAN

INGMAR BERGMAN

1918-2007

Ingmar Bergman is a well known Swedish director of films noted for their starkness, their subtle use of black and white and ‘shades’ of those extremes, the ambiguity of their content, and a certain brooding presence that seems to pervade them all. The list of Bergman films is long; his best known include The Seventh Seal (1957), Wild Strawberries (1958), The Virgin Spring (1960), The Silence (1963), Persona (1967), The Passion of Anna (1970), and Cries and Whispers (1973)—this last film in colour, though emphasising red in all its shadings. In the following selection, the Introduction to Four Screen-plays by Ingmar Bergman (1960), Bergman discusses how he views the art of film-making.

D.H. LAWRENCE

D.H. LAWRENCE

1885-1930

D.H. Lawrence was born in a coal-mining town. He was the son of an uneducated miner and an ambitious mother who was a teacher. His wife was German, and the couple lived, at various times, in Italy, Germany, Australia, Tahiti and Mexico. Lawrence’s writings reflect a revolt against puritanism, mediocrity and the dehumanisation of an industrial society.

AMARTYA SEN

AMARTYA SEN

Born 1933

Amartya Sen was awarded the Nobel Prize in Economics in 1998 for his contribution in the field of welfare economics. He is Lamont Professor at Harvard. This text forms the opening sections of the first essay in Sen’s book of the same title published in 2005. The sub-title of the book is ‘Writings on Indian Culture, History and Identity’. Sen argues in this essay that in India there has been a long tradition of questioning the truth of ideas through discussion and dialogue.

ISAAC ASIMOV

ISAAC ASIMOV

1920-1992

Isaac Asimov was a Russian born American author and biochemist. He was a highly successful and exceptionally prolific writer best known for his works on science fiction and for his popular science books. Most of Asimov’s popularised science books explain science concepts in a historical way, going back as far as possible to a time when the science in question was at its simplest stage. He also lent his name to the magazine, Asimov’s Science Fiction.

EMILY DICKINSON

EMILY DICKINSON

1830-1886

Emily Dickinson is regarded as one of America’s quintessential poets of the nineteenth century. She lived an introverted and hermetic life, and published very few of her poems in her lifetime. Her output, 1789 poems in all, were published posthumously. Her poetry is characterised by unconventional capitalisation and extensive use of dashes, along with unusual imagery and lyric style.

S.T.COLERIDGE

S.T.COLERIDGE

1772-1834

S.T. Coleridge was imaginative even as a child. He studied at Cambridge. In 1797, he met Wordsworth; the two belonged to the first generation of Romantic poets. Coleridge was responsible for presenting the supernatural as real and Wordsworth would try to render ordinary reality as remarkable and strange. Byron, Shelley and Keats belonged to the next generation of Romantic Poets. The genesis of this poem was a vision seen by Coleridge in a trance-like state of mind. He tried to capture its essence but an interruption caused an irreparable break in his poetic flow.

WILLIAM BLAKE

WILLIAM BLAKE

1757-1827

William Blake was a poet, painter and engraver. He abhorred the rationalism and materialism of his times. What he saw and painted were human beings beset with evil, yet striving for the divine within them. Blake’s lyrics appeared in two sets of volumes: Songs of Innocence (from which The Divine Image has been chosen) and Songs of Experience (from which The Human Abstract has been taken) representing the two contrary states of the human soul. Most of the poems in the first volume have counterparts in the second.